Sunday, October 12, 2014

Right Brain vs. Left Brain Majors

Right Brain vs. Left Brain Majors

Find out how majors that favor logical left-brained thinkers to right-brained creative types compare on salary potential, job meaning and more.

We all know that STEM (science, technology, engineering or math) majors lead to high-paying careers – that’s why schools that graduate the most engineering majors have topped our school rankings year after year. But this visualization points out that creativity is vital to many fields of study, and that there is no shortage of potential college majors that benefit from a little abstract thinking.

Most majors require a combination of both the logic of the left brain and the creativity of the right in order to succeed. PayScale has categorized 214 common bachelor’s degree majors by the side of the brain they favor and compared them on their salary potential, sense of job meaning and what percentage of graduates with that major recommend it to others.

First we categorized majors as Left Brain, Left Dominant, Evenly Mixed, Right Dominant and Right Brain. Left Brain and Right Brain majors rely almost exclusively on skills associated with one side of the brain only. Left Brain majors, like electrical  engineering and actuarial mathematics use logic, ration and reason while Right Brain majors like theater and English literature require creativity, intuition and subjective analysis. Left Dominant and Right Dominant majors definitely favor one side of the brain, but are greatly aided by complementary skills from the other side. For example, mechanical engineering majors use right brain skills to build models and creatively solve engineering challenges, while marketing majors complement their creative ideas with logical analysis of case studies and metrics. Finally, Evenly Mixed majors use a nearly fifty-fifty blend of both skillsets in their coursework. Examples include industrial design and psychology.

We also compare the majors on job meaning (what percent of graduates with that major say their jobs make the world a better place). A high paycheck is nice, but doing work you really believe in counts for a lot as well – and both right and left brain majors can earn big marks for job meaning. 

The size of the circle representing each major represents what percentages of graduates recommend their major. 





Sunday, October 5, 2014

THE QUEST: The Hero's Journey Outline

The Quest comes with the question: What have I come here tondo with my life?


The Hero's Journey Outline

The Hero’s Journey is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious ritual, and psychological development.  It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization.

Its stages are:

1.        THE ORDINARY WORLD.  The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.  The hero is shown against a background of environment, heredity, and personal history.  Some kind of polarity in the hero’s life is pulling in different directions and causing stress.

2.        THE CALL TO ADVENTURE.  Something shakes up the situation, either from external pressures or from something rising up from deep within, so the hero must face the beginnings of change. 

3.        REFUSAL OF THE CALL.  The hero feels the fear of the unknown and tries to turn away from the adventure, however briefly.  Alternately, another character may express the uncertainty and danger ahead.

4.        MEETING WITH THE MENTOR.  The hero comes across a seasoned traveler of the worlds who gives him or her training, equipment, or advice that will help on the journey.  Or the hero reaches within to a source of courage and wisdom.

5.        CROSSING THE THRESHOLD.  At the end of Act One, the hero commits to leaving the Ordinary World and entering a new region or condition with unfamiliar rules and values. 

6.        TESTS, ALLIES AND ENEMIES.  The hero is tested and sorts out allegiances in the Special World.

7.        APPROACH.  The hero and newfound allies prepare for the major challenge in the Special world.

8.        THE ORDEAL.  Near the middle of the story, the hero enters a central space in the Special World and confronts death or faces his or her greatest fear.  Out of the moment of death comes a new life. 

9.        THE REWARD.  The hero takes possession of the treasure won by facing death.  There may be celebration, but there is also danger of losing the treasure again.

10.      THE ROAD BACK.  About three-fourths of the way through the story, the hero is driven to complete the adventure, leaving the Special  World to be sure the treasure is brought home.  Often a chase scene signals the urgency and danger of the mission.

11.     THE RESURRECTION.  At the climax, the hero is severely tested once more on the threshold of home.  He or she is purified by a last sacrifice, another moment of death and rebirth, but on a higher and more complete level.  By the hero’s action, the polarities that were in conflict at the beginning are finally resolved.

12.       RETURN WITH THE ELIXIR.  The hero returns home or continues the journey, bearing some element of the treasure that has the power to transform the world as the hero has been transformed.


The Heroine's Journey  (adapted from Maureen Murdock)

STAGE

1.         SEPARATION FROM THE FEMININE

2.         IDENTIFICATION WITH THE MASCULINE & GATHERING OF ALLIES

3.         ROAD OF TRIALS, MEETING OGRES & DRAGONS

4.         FINDING THE BOON OF SUCCESS

5.         AWAKENING TO FEELINGS OF SPIRITUAL ARIDITY: DEATH

6.         INITIATION & DESCENT TO THE GODDESS

7.         URGENT YEARNING TO RECONNECT WITH THE FEMININE 

8.         HEALING THE MOTHER/DAUGHTER SPLIT

9.         HEALING THE WOUNDED MASCULINE

10.       INTEGRATION OF MASCULINE & FEMININE 
 

THE ARCHETYPE

ARCHETYPES are recurring patterns of human behavior, symbolized by standard types of characters in movies and stories.

HEROES

Central figures in stories.  Everyone is the hero of his or her own myth.

SHADOWS

Villains and enemies, perhaps the enemy within.  The dark side of the Force, the repressed possibilities of the hero, his or her potential for evil.  Can be other kinds of repression, such as repressed grief, anger, frustration or creativity that is dangerous if it doesn’t have an outlet.

MENTORS

The hero’s guide or guiding principles.  Yoda, Merlin, a great coach or teacher.

HERALD

One who brings the Call to Adventure.  Could be a person or an event.

THRESHOLD GUARDIANS

The forces that stand in the way at important turning points, including jealous enemies, professional gatekeepers, or your own fears and doubts.

SHAPESHIFTERS

In stories, creatures like vampires or werewolves who change shape.  In life, the shapeshifter represents change.  The way other people (or our perceptions of them) keep  changing.  The opposite sex, the way people can be two-faced.

TRICKSTERS

Clowns and mischief-makers, Bugs Bunny and Daffy Duck, Richard Pryor and Eddie Murphy.  Our own mischievous subconscious, urging us to change.

ALLIES

Characters who help the hero through the change.  Sidekicks, buddies, girlfriends who advise the hero through the transitions of life.




Thursday, October 2, 2014

Video: Former Atheist Lee Strobel’s Powerful Conversion Testimony

Video: Former Atheist Lee Strobel’s Powerful Conversion Testimony Proves God’s Not Dead
  • Video: Former Atheist Lee Strobel’s Powerful Conversion Testimony Proves God’s Not Dead
  • October 1, 2014

    (God’s Not Dead) Former atheist, award winning Chicago Tribune journalist and Yale Law graduate, Lee Strobel shares his powerful “Saul-to-Paul” testimony of how the living God supernaturally grabbed his heart and mind to reveal Himself.  Lee Strobel began investigating the credibility of Christianity, as well as the Bible’s authenticity and inerrancy. Lee’s journey and research uncovered overwhelming evidence that he couldn’t ignore or deny.


    Ultimately God prepared Lee’s heart to accept the truth. Since that faithful day, God has been using His new creation mightily – his gifts, skills, talents and passion for spreading the Good News Of The Gospel.  According to his web site, after investigating the evidence for Jesus, Lee became a Christian in 1981. He joined the staff of Willow Creek Community Church in 1987 and later became a teaching pastor. He joined Saddleback Valley Community Church as a teaching pastor in 2000. He left Saddleback to write books and host the national network TV program Faith Under Fire.

    Atheist-tuCaseForChristrned-Christian Lee Strobel, is a New York Times best-selling author of more than twenty books and serves as Professor of Christian Thought at Houston Baptist University.

    Described in the Washington Post as “one of the evangelical community’s most popular apologists,” Lee shared the Christian Book of the Year award in 2005 for a curriculum he co-authored with Garry Poole about the movie The Passion of the Christ. He also won Gold Medallions for The Case for Christ, The Case for Faith, and The Case for a Creator, all of which have been made into documentaries distributed by Lionsgate. To learn more about Lee’s amazing journey and his resources – visit his web site at www.LeeStrobel.com.

    God’s Not Dead Updates:

    Recently released, initial sales and demand of this powerful film have already exceeded expectations (ranking DVDBluRayProductShot#2 in DVD & Blue-Ray Sales-Read More after just a couple of weeks) Grab copies for friends, family members, neighbors and co-workers while supplies last. As we move from theaters to the retail and digital release, we are once again encouraged by the hunger for this message – we continue to praise God that he is able to use this unique evangelical film to strengthen our faith, sharpen our swords and reach a lost world with the good news of the Gospel. Amen!

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